The holidays are better together. These family-approved New York shows mix magic, music, and plenty of joy for an unforgettable day out.

NY | TT | Collection | Holiday Hits Family Edition

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Ebenezer Scrooge gets a supernatural wakeup call that reminds him what the season is all about. Classic holiday play with heart, snow, and a reminder to be kinder than you were yesterday.

NY - TT - Holiday Hits Family Edition Collection - A Christmas Carol

A Christmas Carol - NYC [18743]

A Christmas Carol

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A stage scene with four actors in period costumes, surrounded by hanging lanterns and dramatic blue lighting, with one actor standing center illuminated.

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A man stands on a wagon holding a lantern aloft under hanging lanterns, while two people watch from the stage floor in a theatrical performance.

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Performers in period costumes dance in a circle on a stage under hanging lanterns, with artificial snow falling and spotlights illuminating the scene.

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Production photo of A Christmas Carol on Broadway showing a man in a long red coat kneels by a large book on a box labeled "Scrooge & Marley," looking upwards with a serious expression under dramatic stage lighting.

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A man in Victorian-style clothing and a top hat holds a lit lantern, standing against a smoky, dark blue background.

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Production photo of A Christmas Carol on Broadway showing Two actors face each other over a wooden cart on a dark, smoky stage, illuminated by a spotlight with hanging lanterns above.

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Actors in dark costumes and top hats perform on a theater stage, arms raised, with hanging lanterns and a dramatic, ornate backdrop.

Production photo of A Christmas Carol on Broadway showing a performer in a tattered costume holds a lantern and extends an arm on stage, with dramatic lighting and prop boxes reading "Scrooge & Marley.

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Actors in period costumes dance joyfully on stage under falling snow, illuminated by stage lights and a chandelier above.

Production photo of A Christmas Carol on Broadway showing three actors perform on stage, with one standing on a wheeled platform holding up a lantern under spotlights, while numerous lanterns hang above them in the dark theater.

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A man stands on a wooden cart holding an object aloft, illuminated by blue stage lights, while a woman in period costume looks on; lanterns hang above the scene.

Four musicians in dark period costumes perform on a dimly lit stage, surrounded by numerous hanging lanterns, creating a dramatic atmosphere.

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Production photo of A Christmas Carol on Broadway showing performers in period costumes dance on a circular stage under hanging lanterns, with artificial snow falling and dramatic stage lighting.

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Production photo of A Christmas Carol on Broadway showing an actor in an ornate costume and hat stands on stage under dramatic lighting, looking upward with one hand on their chest against a dark background.

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Actors in period costumes perform a dance on a wooden stage, surrounded by hanging lanterns under dramatic stage lighting.

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Two actors stand on a dimly lit stage separated by a doorway, surrounded by many small hanging lanterns above them.

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Actors in dark period costumes stand on a wooden stage with outstretched arms, surrounded by hanging lanterns in a theatrical performance.

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The ghosts of Christmas Past, Present, and Future are visiting New York for a limited engagement of the holiday classic *A Christmas Carol*. This five-time Tony Award-winning revival, which premiered at London's Old Vic Theatre in 2017, marks the 10th consecutive holiday season this acclaimed production has appeared on stage.

The timeless Charles Dickens tale follows a mean-spirited miser who is forced to learn the true meaning of Christmas, thanks to visits by four ghosts on Christmas Eve. Featuring a dozen holiday carols, including “Joy to the World,” “Silent Night,” and “It Came Upon the Midnight Clear,” the immersive theatrical experience haunts the Perelman Performing Arts Center with delightful Christmas spirit(s).

## What to watch for

- Jack Thorne’s *A Christmas Carol* adaptation simultaneously played London’s Old Vic in 2019.
- The original Charles Dickens novel was published on Dec. 17, 1843, and sold out in three days.
- Dickens was 31 when he wrote *A Christmas Carol*, and he finished the story in a mere six weeks.
- Six weeks after *A Christmas Carol* was published, the story was adapted by Edward Stirling for the London stage.

A Christmas Carol on Broadway  - NYC - Todaytix

Genre: Musical (US and AUS)

Following multiple acclaimed runs at London's Old Vic Theatre and a five-time Tony Award-winning Broadway run in 2019, *A Christmas Carol* comes back to New York for a limited run this holiday season.

From Matthew Warchus, the visionary director of *Matilda*, and Jack Thorne, the playwright behind *Harry Potter and the Cursed Child*, this adaptation of the classic Charles Dickens tale originally premiered in London during the 2017 holiday season, starring BAFTA Awards winner Rhys Ifans as the cold-hearted miser Ebenezer Scrooge. It was so warmly received that the Old Vic decided to revive it for a second limited holiday season engagement in 2018, and 2026 now marks the 10th holiday season when *A Christmas Carol* will appear on stage. In 2019, the Dickens classic was presented in London and on Broadway simultaneously.

The production, recommended for ages 8 and above, also boasts 12 beautiful arrangements of some of the most beloved Christmas carols of all time, courtesy of Christopher Nightingale. From “Silent Night” to “It Came Upon the Midnight Clear,” get ready to indulge yourselves in the joyous sounds of the season and feel your spirits lifted by this immortal tale of redemption.

A Christmas Carol on Broadway  - NYC - NYTG

This version of <a href="/show/a-christmas-carol">A Christmas Carol</a>&nbsp;at the <a href="https://www.newyorktheatreguide.com/venues/lyceum-theatre-ny">Lyceum Theatre</a> on Broadway, adapted by Jack Thorne and directed by Matthew Warchus, is a nifty bit of business.&nbsp;An unusual take on Charles&nbsp;Dickens' story, it is Redemption à&nbsp;la Mode.&nbsp;And it works.The story of Scrooge is known so well that the name itself means the meanest of the mean. Closed off from love, alone and daring anyone to approach with an outstretched appendage.&nbsp;This particular Ebenezer Scrooge (<a href="/actor-profile/campbell-scott">Campbell Scott</a>), in addition to being mean, is also a little mad.&nbsp;A little crazy. A little paranoid. Something along the lines of a rabid dog.&nbsp;A little ready for some serious salvation.&nbsp;Because this Scrooge is inches away from taking a permanent header off the cliff of life.Thorne and Warchus have kept the thread of the iconic story without sticking to the traditional trimmings.&nbsp;The three Ghosts of Christmas Past, Present and Future are all women, dressed in homespun rag cloth.&nbsp;<a href="/actor-profile/andrea-martin">Andrea Martin</a> is a no-nonsense guide who prods and presses Ebenezer to pay attention to the past.&nbsp;<a href="/actor-profile/lachanze">LaChanze</a> is The Ghost of Christmas Present who swirls him through the open doorways and sad hovels of the present.&nbsp;And the Ghost of Christmas Yet to Come&nbsp;turns out to be the biggest twist in this new adaptation, bringing&nbsp;the direst most desperate warnings to Scrooge, born out of a&nbsp;fierce love for him.This Ebenezer refuses their guidance, care and mercy.&nbsp;This Scrooge is more Andrew Jackson than a candidate for Father Christmas.&nbsp;This Scrooge will not go quietly into that good night.&nbsp;He&nbsp;will roar until the spirits are forced to pull out all the stops and smite him mightily.&nbsp;When this Scrooge rises from his ashes he is no milk toast reformed old man.&nbsp;He is raw as a newborn and his path will not be predicted.The production design could not be simpler: four door frames flanked by hundreds of lanterns on the floor, crawling up the walls and swinging wildly from the ceiling.&nbsp;Scrooge is leading such a sparse life that his pillow is a handkerchief and his riches are hidden beneath floorboards.&nbsp;He has one threadbare suit of clothing from beginning to end.With almost nothing up their sleeves this nimble cast unwraps a story of redemption as if it were a 19th century confection of supreme value.&nbsp;Which, of course it is. From the minute you enter the theatre this company welcomes you with the simplest of gifts: a story to tell and the joy of the telling.&nbsp;And the joy of the singing.&nbsp;Their Christmas caroling alone is worth the trip. Although I haven't considered myself a religious person for years now, the sound of those carols - in four-part harmony, thank you - pops the door to my innards open every time.Finally, there is the matter of Tiny Tim (played by&nbsp;Sebastian Ortiz at the performance I attended), who is the distillation of every spirit and human in this story,&nbsp;who moves with great effort and who speaks so quietly we nearly&nbsp;hold our breath in the listening. If you are able to withstand the warmth of this production, as any New Yorker would be expected to do, this little crumpet will be your undoing as he steals your heart like so much chump change.&nbsp;Beware.(Photo by Joan Marcus)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"Have any of the progressive presidential hopefuls still duking it out thought about working "A Christmas Carol" into their campaigns? If so, they would surely benefit from visiting the new, charmingly instructive adaptation of Charles Dickens's evergreen of Yuletide redemption, which opened Wednesday at the Lyceum Theater. As reconceived by the playwright Jack Thorne&nbsp;and the director Matthew Warchus, this sprightly version of Dickens's deathless portrait of a miser makes a pointed case for the personal benefits of redistributing wealth. God rest ye merry, fat cats: Shedding some of that cumbersome, excess cash is a surefire route to feeling good about yourself." Ben Brantley&nbsp;for <a href="https://www.nytimes.com/2019/11/20/theater/a-christmas-carol-review.html" target="_blank">New York Times</a>"This&nbsp;A Christmas Carol&nbsp;has many lovely moments and atmosphere aplenty. What it lacks, just a little, is cheer." Adam Feldman&nbsp;for <a href="https://www.timeout.com/newyork/theater/a-christmas-carol-broadway-review" target="_blank">Time Out New York</a>"New Yorkers tend to be cynical by nature, and even during the holidays, it takes a lot to soften our tough hides. So, I have to commend the creative team behind this latest adaptation of&nbsp;A Christmas Carol,&nbsp;because as much as we've heard Dickens' classic tale through the years, it would take a very cold heart not to feel the spirit this time around." Roma Torre&nbsp;for&nbsp;<a href="https://www.ny1.com/nyc/all-boroughs/theater-reviews/2019/11/21/theater-review---a-christmas-carol-" target="_blank">NY1</a>"Every year around the holidays, adaptations of Charles Dickens'&nbsp;A Christmas Carol&nbsp;surface like regurgitated eggnog at regional theaters across the country. But Jack Thorne's retelling breathes new life into the old chestnut, creating an enchanting spectacle that really is something special. Staged with an ideal balance of sentiment and showmanship by Matthew Warchus and first seen in 2017 at London's Old Vic, where he is artistic director, the immersive production is infused with period atmosphere and heart-stirring music, fostering an infectious spirit of good cheer that reaches giddy heights with the movable feast of the play's climax." David Rooney&nbsp;for&nbsp;<a href="https://www.hollywoodreporter.com/review/a-christmas-carol-theater-review-1256271" target="_blank">Hollywood Reporter</a>"While the communal ending may be fun for some — and not far afield from Dickens' one-world view — the emphasis&nbsp; shifts from lessons learned to production gimmicks, including tumbling taters from the balcony and Brussels sprouts parachuted in for Scrooge's big feast. In this version, it's not about witnessing the redemption of a man and the retrieval of a lost soul. It's all about the side dishes." Frank Rizzo&nbsp;for&nbsp;<a href="https://variety.com/2019/legit/reviews/christmas-carol-review-broadway-campbell-scott-1203410701/" target="_blank">Variety</a>&nbsp;

Review of A Christmas Carol, starring Campbell Scott, on Broadway

Campbell Scott and the Cast of A Christmas Carol

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Located in the heart of New York City, the Perelman Performing Arts Center (PAC NYC) is an epitome of cultural vibrancy, architectural elegance, and artistic innovation. Constructed as a core component of the World Trade Center site, the venue is designed to inspire and serve artists from various genres and the diverse community of the city.

The venue features three principal performance spaces which can be combined to form a flexible theatre environment. The invention in its design and versatility allows performers to have unrestrained creative freedom, offering audiences a myriad of theatre experiences. Not just a venue, the PAC NYC is also an incubator promoting innovation, making a significant impact on the performing arts scene of New York City, and worldwide.

Significantly, the theater is designed with an exterior composed of translucent, veined marble enveloped in glass, creating a warm, illuminated beacon in the Lower Manhattan skyline.

### How to Get to the Venue

PAC NYC is accessible via various modes of transport. By subway, you can take the A, C, J, Z, 2, 3, 4, or 5 trains to Fulton Street. If travelling by bus, take the M5, M20, or M22 buses. There are also numerous parking lots nearby for those who prefer to drive.

Driving directions can be easily mapped on most GPS systems using the address: Perelman Performing Arts Center, World Trade Center, New York, NY, USA.

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This New York Times Critic’s Pick is bringing joy to Broadway through January 5 only.

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Mozart meets holiday tradition in a performance built to feel magical and celebratory. A perfect choice for anyone who wants their festive outing to feel elegant.

NY - TT - Holiday Hits Family Edition Collection - The Magic Flute – Holiday Presentation

__SPECIAL ACTIVITIES__ 

At every performance of The Magic Flute, audiences can enjoy free activity books and themed photo opportunities throughout the lobby. [Special downloadable activities](https://www.metopera.org/campaigns/holidays/the-magic-flute-activities-for-kids/) are also available online to explore before or after your visit. Complimentary face painting will be available before all matinee performances. [Holiday Open Houses](https://www.metopera.org/discover/education/family-open-houses/holiday-open-house/) will take place prior to the performances on December 13 and 19.

Please note: The December 26 matinee is a relaxed performance. [Learn more](https://www.metopera.org/information/relaxed-performances/) about what to expect in the Met’s relaxed performances.

The Magic Flute - Holiday Presentation - NYC [31926]

Genre: Opera

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The Metropolitan Opera House, often referred to simply as the Met, is an iconic arts venue located in Lincoln Center in the bustling city of New York. Known world-wide, the Met is home ground for the Metropolitan Opera Association, which delivers opera performances that flock an international attendance. Since its inception in 1966, the Met has staged more than four thousand performances and stands as one of the most technologically advanced theatre venues in the world. Discriminated into tiers, the main hall flaunts seats for approximately 3,800 attendees with room for about 195 standing. A strikingly beautiful crystal chandelier sprawls over the custom gold-leaf ceiling. The Met cultivates a blend of traditional and contemporary, hosting grand classical operas as well as new productions. **How to get to the Metropolitan Opera House**: Being in the heart of New York, it is easily accessible via various modes of transport. The nearest subway stations are at 66th Street - Lincoln Center and 72nd Street on the 1, 2, and 3 lines. Alternatively, buses M5, M7, M10, M11, M66 and M104 also have stops nearby. If you’re driving, there are numerous parking garages in close proximity to Lincoln Center. Please note, traffic may be busy around performance times, so ensure you manage time efficiently and plan your journey accordingly.

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The Metropolitan Opera was founded in 1883, originally located at 39th Street and Broadway. The opera house at Lincoln Center opened in September 1966. With nearly 4,000 seats, the Metropolitan Opera House is one of the largest opera houses in the world. Subtitles in multiple languages can be found on the back of every seat, making it simple to follow along with the onstage action.

Artists ranging from Renée Fleming and Luciano Pavarotti to Kelli O’Hara and Sandra Oh have performed on the Met’s legendary stage — one of the most technically advanced stages in New York, capable of holding up to five spectacular productions at once.

## How to get to The Metropolitan Opera

The Metropolitan Opera is located on the Upper West Side between West 62nd and 65th Streets and Columbus and Amsterdam Avenues. If riding the subway, take the 1 train to 66th Street–Lincoln Center Station. If riding the bus, take the M5, M7, M10, M11, M20, M66, M104 or BxM2 lines.

## What to wear to The Metropolitan Opera

There is no dress code at the Met, but a night at the opera can be a great excuse to get dressed up.

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Located in the heart of Lincoln Center, the Metropolitan Opera features nearly 200 performances each season starring the world’s greatest voices.

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The Metropolitan Opera House is an iconic opera venue in New York's Lincoln Center, known for grand classical and contemporary productions.

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Holiday hits: family edition